The cliffhanger ends up going rather anticlimatically. There's no
larger discussion this episode regarding bullying or proper filial
piety. It's just kind of a weird opening gag about how sometimes punches
go wrong and then it's time for everyone to go scooting off. Beyond
that one punch, by the way, this episode is mostly a pretty nonviolent
one. At least from Deok-in's end. She's had a stressful enough time
lately to not be going around looking for trouble.
Trouble does find her, and while Deok-in remains calm, it is
beginning to sink in that she can't keep doing this. A very sweet
conversation between Deok-in and Jin-woo clarifies for both ends what
exactly they're going through. Jin-woo now knows that Deok-in's
resistance to the divorce is mainly a result of the drama involving her
son's death, and Deok-in now mostly has a picture of why Jin-woo's
relationship with his son is on such skittish territory.
We also get a better visual on the strained, complex relationship
between Deok-in and Kyeong-cheol. In many ways this marriage dispute is a
reflection of their very different reactions to the death of their son.
Kyeong-cheol desperately wants to move on, but he isn't willing to
create a crisis just to selfishly resolve his own personal issues.
Deok-in can sympathize with this- and yet at the same time, she's just
selfish enough to prioritize her own lingering attachment over the
well-being of everyone else.
It's a fascinating contrast because it's clear that in any other
context Deok-in is a very giving, loving person willing to do whatever
she can for anyone. Once again, it makes me curious about her history.
Has Deok-in always been like this- or has this change in attitude been a
sort of penance for what happened to her son? Either way, it's easy to
see why Kyeong-cheol wants a divorce. Deok-in is not, at present, a
particularly satisfying partner.
What he wants from Jin-hee is less clear- Jin-hee at her best often
seems childish, although I suppose Kyeong-cheol does balance that out as
long as Jin-hee isn't in morally indignant mode. Most of the rich
family stuff is dull, although I admit I'm warming up to the immature
romance storyline. It's just funny to see a young woman act so immature
in a dating context- and we know that's what she's doing because "Let the Girl Cry/Make A Woman Cry" does a good job showing us how mature adults act. Even if it doesn't always go that well.
Review by William Schwartz
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.