We get some much needed "awww" here as the married Ji-yeong and Ho-rim get a cute moment together. Because I mean really, "Man Who Dies to Live"
skirts dangerously close to having us straight up root for their
divorce. It's comforting to know that Ho-rim does, indeed, have some
positive qualities. It's just a shame that in his greedy quest for money
and power Ho-rim must tell increasingly bizarre and elaborate lies in
order to guarantee Count Said Faid Ali's continued interest in the bank.
How much Count Said Faid Ali even cares about his money is actually surprisingly unclear. He just seems to toss it around at random. Cartoonish figure that Count Said Faid Ali is, it's hard not to see the obvious satirical undertones. The South Korean characters, like South Korean society in general, are obsessed with financial success in a way that's not terribly healthy. But Count Said Faid Ali, who was not in South Korea when this cultural shift happened, has a profligate attitude toward that astounds everyone he runs into.
That, and the constant womanizing, which is mostly just habit. I like the implication that while Count Said Faid Ali loves making passes at attractive women, it's not clear that he wants or expects these encounters to last more than a moment. Count Said Faid Ali is obsessed with looking and acting super cool, and it doesn't matter to him if anyone else believes it just so long as he can plausibly believe it.
Which again, is a character trait he shares with the married Ji-yeong- not the other Ji-yeong, , and the compaison is illuminating. The married Ji-yeong can and will make a fool of herself in public if it makes her feel better. The married Ji-yeong's farcical behavior makes it easy to laugh at her, but more importantly, it makes it easy for her to laugh at herself, and be satisfied with some pretty minor emotional victories.
Whereas the other Ji-yeong, with her emphasis on being stylish, is much more externally focused. She can't open up about her real emotions at all to anyone, which is why the cliffhanger to episode six is so jarring. Yes, it's easy to instead focus on Count Said Faid Ali's obviously inappropriate responses, but that's why these two are such a mismatch. Count Said Faid Ali never thought through what he would actually do upon meeting his daughter. Whereas the other Ji-yeong has obviously rehearsed this scene in her head far more times than she is willing to admit.
Review by William Schwartz
"Man Who Dies to Live" is directed by Ko Dong-seon, written by Kim Seon-hee and features Choi Min-soo, Kang Ye-won, Sin Seong-rok, Lee So-yeon, Jasper Cho, Kim Byeong-ok, Hwang Seung-eon and Bae Hae-sun.
Copy & paste guideline for this articleHow much Count Said Faid Ali even cares about his money is actually surprisingly unclear. He just seems to toss it around at random. Cartoonish figure that Count Said Faid Ali is, it's hard not to see the obvious satirical undertones. The South Korean characters, like South Korean society in general, are obsessed with financial success in a way that's not terribly healthy. But Count Said Faid Ali, who was not in South Korea when this cultural shift happened, has a profligate attitude toward that astounds everyone he runs into.
That, and the constant womanizing, which is mostly just habit. I like the implication that while Count Said Faid Ali loves making passes at attractive women, it's not clear that he wants or expects these encounters to last more than a moment. Count Said Faid Ali is obsessed with looking and acting super cool, and it doesn't matter to him if anyone else believes it just so long as he can plausibly believe it.
Which again, is a character trait he shares with the married Ji-yeong- not the other Ji-yeong, , and the compaison is illuminating. The married Ji-yeong can and will make a fool of herself in public if it makes her feel better. The married Ji-yeong's farcical behavior makes it easy to laugh at her, but more importantly, it makes it easy for her to laugh at herself, and be satisfied with some pretty minor emotional victories.
Whereas the other Ji-yeong, with her emphasis on being stylish, is much more externally focused. She can't open up about her real emotions at all to anyone, which is why the cliffhanger to episode six is so jarring. Yes, it's easy to instead focus on Count Said Faid Ali's obviously inappropriate responses, but that's why these two are such a mismatch. Count Said Faid Ali never thought through what he would actually do upon meeting his daughter. Whereas the other Ji-yeong has obviously rehearsed this scene in her head far more times than she is willing to admit.
Review by William Schwartz
"Man Who Dies to Live" is directed by Ko Dong-seon, written by Kim Seon-hee and features Choi Min-soo, Kang Ye-won, Sin Seong-rok, Lee So-yeon, Jasper Cho, Kim Byeong-ok, Hwang Seung-eon and Bae Hae-sun.
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