Je-has is a man on a mission and while he and the writer still seem
undecided on what it is, at least our hero gets things done and thinks
reasonably. Episode eight presents a big turning point in the story.
Ahn-na has great work ahead of her and she is not as fragile or as
immature as others think, which means Yoo-jin is now the one at a
disadvantage.
I have spoken quite a bit about Se-joon's (Jo Seong-ha) behavior toward Ahn-na (Yoona), but Je-ha's (Ji Chang-wook)
actions and words in this episode really prove my point. He reveals the
truth to her in private and uses the opportunity he has to ensure her
safety until she can fight back. So why has Se-joon not done this and
why does he endanger his supposed fight for Ahn-na's freedom by sleeping
around? The presentation paints him as a victim, the writing just makes
him a hypocrite, which is something the creators need to address.
Episode eight finally develops the relationship between Je-ha and
Ahn-na, which I still see more as one of pity and friendship than a
romantic one. Je-ha's little game which essentially functions as a guide
for emergency situations is a nice touch and it shows us that he knows
how to approach Ahn-na and adapt to her needs without alarming her. He
probably assumes, quite logically, that Ahn-na might have developmental
issues due to her upbringing and makes sure to treat her with
consideration.
Ahn-na is not to be taken lightly, however and I have a somewhat
mixed opinion about it. Ahn-na recognizes good intentions and she is
more mature than her situation would enable. She seems well-adapted for
social interaction now as well. This is good for the romance, because it
would go to creepy territory with someone who is mentally a child. At
the same time, she really should not be as well adjusted as this, which
brings us back to the undecided writing.
Between Lee Han-wi in the previous episode and now Jo Dong-hyeok,
the cameo appearances are nice, but the latest one is once again an
embarrassing break from good drama. The captain guesses Je-ha is not one
of their men and proceeds to unprofessionally toss his non-silenced
firearm for a machismo-fueled fight, rather than neutralize the
resistance. Once again, the creators' juvenile concept of "cool action"
misses the mark. The fight itself is great, however, so the scene is
entertaining.
What I am most curious about now is Yoo-jin (Song Yoon-ah) and assistant Kim's (Shin Dong-mi)
past. Yoo-jin could have manipulated Ahn-na's revelation from a
distance, but going there is an act of digging one's own grave. Why does
her loving assistant not point this danger out? "The K2"
is not the most intellectually challenging drama, so I may be
overthinking this, but I need higher brain function between drooling
over man-battles.
"The K2" is directed by Kwak Jeong-hwan, written by Jang Hyeok-rin and features Ji Chang-wook, Song Yoon-ah, Yoona and Jo Seong-ha.
Written by: Orion from 'Orion's Ramblings'
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