The pacing in "Scarlet Heart: Ryeo"
really is top notch. While I still psychologically recognize the
obvious discordance between the political powerplay scenes and Soo's
vastly more simplistic interpretation of plot, the tones are quite well
balanced. We go from one to the other without any real sense of
whiplash. Prince So is an uncommunicative jerk with his brothers, and
he's also an uncommunicative jerk with Soo. But in both cases Prince So
is also the main guy who's all about getting things done even if it
means his hands get dirty in the process.
One aspect of the Goryeo royal family here that distinguishes it a lot from the Joseon royal families more commonly seen in Korean dramas is the sheer level of backbiting competition. The royal princes all love each other, yet at the same time they seem to take disproportionate glee when someone else fails. Even assassination attempts don't seem to phase them on a personal level. It's like they're trying to win at a game.
This is one way that Soo's apparent role as the center of her own hot man harem feels oddly justified. Soo is just another symbolic goal for all these manly men. They want her because they don't have her. And as is the case with all of the other power struggles, physically dominating Soo is sort of besides the point. Simply being the strongest man in the room isn't good enough. You have to be the smartest one, too.
It is through this context that the production team is able to rather fantastically build up the ritual which makes up the climax. What's especially great about this scene is that even without all the political context all the performers (extras included) are treating this one hundred percent seriously just as people back then would have. The choreography is so excellent and engaging it's a legitimate surprise when the knives come out even though we were practically told explicitly in advance that there was going to be an interruption.
Narratively, the ritual also fulfills the important role of bringing Soo into the lives of the royal princes through a more convincing plot device than having her be around at the right place and right time to give a stern lecture. While this, too, is an convenient scriptwriting coincidence, the more permanent implications are quite interesting. How will a woman who wears her heart on her sleeve function in an environment where every personal interaction has multiple layers?
Review by William Schwartz
"Scarlet Heart: Ryeo" is directed by Kim Kyoo-tae, written by Jo Yoon-yeong and features Lee Joon-ki, IU, Kang Ha-neul, Hong Jong-hyeon, Nam Joo-hyeok, Baekhyun and Ji Soo.
Copy & paste guideline for this articleOne aspect of the Goryeo royal family here that distinguishes it a lot from the Joseon royal families more commonly seen in Korean dramas is the sheer level of backbiting competition. The royal princes all love each other, yet at the same time they seem to take disproportionate glee when someone else fails. Even assassination attempts don't seem to phase them on a personal level. It's like they're trying to win at a game.
This is one way that Soo's apparent role as the center of her own hot man harem feels oddly justified. Soo is just another symbolic goal for all these manly men. They want her because they don't have her. And as is the case with all of the other power struggles, physically dominating Soo is sort of besides the point. Simply being the strongest man in the room isn't good enough. You have to be the smartest one, too.
It is through this context that the production team is able to rather fantastically build up the ritual which makes up the climax. What's especially great about this scene is that even without all the political context all the performers (extras included) are treating this one hundred percent seriously just as people back then would have. The choreography is so excellent and engaging it's a legitimate surprise when the knives come out even though we were practically told explicitly in advance that there was going to be an interruption.
Narratively, the ritual also fulfills the important role of bringing Soo into the lives of the royal princes through a more convincing plot device than having her be around at the right place and right time to give a stern lecture. While this, too, is an convenient scriptwriting coincidence, the more permanent implications are quite interesting. How will a woman who wears her heart on her sleeve function in an environment where every personal interaction has multiple layers?
Review by William Schwartz
"Scarlet Heart: Ryeo" is directed by Kim Kyoo-tae, written by Jo Yoon-yeong and features Lee Joon-ki, IU, Kang Ha-neul, Hong Jong-hyeon, Nam Joo-hyeok, Baekhyun and Ji Soo.
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